Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·9 min readInterview: Doug Hamilton on Having an All-Access Pass to Green Day for “Broadway Idiot”
Interviews·10 min readInterview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”
ReviewsSundance·4 min readSundance ’18 Review: Desiree Akhavan Goes Electric in the Brilliant Gay Conversion Drama “The Miseducation of Cameron Post”
Interviews·5 min readThe Man from Haiku: Destin Daniel Cretton on the Group Effort Behind “Short Term 12”
ReviewsSXSW·2 min readSXSW ’14 Review: Zach Wigon Puts His Finger on the Pulse With “The Heart Machine”
InterviewsTramps·13 min readInterview: Producer Joshua Astrachan on Cooking Up Something Special with “Tramps”
ReviewsSXSW·3 min readSXSW ’18 Review: A Cold War is Illuminated with Great Warmth in Megan Griffiths’ Captivating “Sadie”
Interviews·9 min readMichael John Warren on the Spiritual Revival of “Spring Awakening: Those You’ve Known”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”