Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
A Face in the Crowd·4 min readA Face in the Crowd: Jeanie Finlay on Making a Doc Fit for a King with “Orion”
ReviewsSXSW 2012·3 min readSXSW ’13 Review: Jeanie Finlay Gets to the Bottom of “The Great Hip Hop Hoax”
InterviewsTribeca Film Festival·9 min readTribeca ’19 Interview: Jeanie Finlay and Freddy McConnell on Capturing the Waves of Emotion in “Seahorse”
InterviewsTribeca Film Festival·7 min readTribeca ’15 Interview: Jeanie Finlay on Crowning “Orion: The Man Who Would Be King”
ReviewsTribeca Film Festival·3 min readTribeca 2023 Review: “Your Fat Friend” Considers the Kind of Weight That Can’t Be Measured in Pounds
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”