Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: A Refugee Courier Seeks Deliverance in Boris Lojkine’s Moving “L’Historie de Souleymane”
Cannes 2024 Review: A Defiant Poet Gets a Radical Biopic in the Electric “Limonov: The Ballad of Eddie”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF ’19 Review: An Updated Greek Tragedy Hits Home No Matter Where You Live In Sophie Deraspe’s “Antigone”
InterviewsTIFF·8 min readTIFF 2021 Interview: Jean Luc Herbulot on Having an Eye for Mayhem in “Saloum”
ReviewsTIFF·2 min readVenice Film Fest 2022 Review: A Tale of Outsiders Gets a New Spin in “The Maiden”
ReviewsTIFF·2 min readTIFF ’19 Review: Gabriela Cowperthwaite’s “The Friend” Shows a Rare Bit of Kindness
InterviewsTIFF·8 min readTIFF ’18 Interview: Edoardo de Angelis and Pina Turco on Living on the Edge with “The Vice of Hope”
FestivalsInterviewsTIFF·6 min readTIFF ’14 Interview: Cristián Jiménez & Ingrid Isensee on Injecting Life Into “Voice Over”
InterviewsTIFF·8 min readTIFF ’13 Interview: Sarah McCarthy on Exploring What Makes a Family in “The Dark Matter of Love”
ReviewsTIFF·2 min readTIFF 2022 Review: “Bones of Crows” Boasts a Grand Historical Sweep That Leaves Nothing Under the Rug
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”