Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF ’19 Review: The Almighty Dollar is a Vindictive God in Fernando Veiroj’s Sly Comedy “The Moneychanger”
ReviewsTIFF·2 min readTIFF ‘19 Review: A Cooperative Unravels in Grímur Hákonarson’s Very Agreeable “The County”
ReviewsTIFF·2 min readTIFF ’19 Review: There’s Something in the Water In Neasa Hardiman’s “Sea Fever”
ReviewsTIFF·2 min readTIFF ‘19 Review: Alice Winocour’s Sensational “Proxima” Has Real Gravitational Pull
ReviewsTIFF·2 min readTIFF ’19 Review: An Updated Greek Tragedy Hits Home No Matter Where You Live In Sophie Deraspe’s “Antigone”
InterviewsTIFF·8 min readTIFF ’19 Interview: Oualid Mouaness on Fighting to Preserve a Childhood in “1982”
InterviewsTIFF·6 min readTIFF ’19 Interview: Chloé Robichaud on Finding Her Way Inside the Tale of an Outsider in “Delphine”
InterviewsTIFF·7 min readTIFF ’19 Interview: Sofia Banzhaf on the Wilderness of the Dating Scene in “I Am in the World As Free and Slender as a Deer on a Plain”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”