Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Interview: Roya Sadat on Watching Women Take a Seat at the Negotiating Table in “The Sharp Edge of Peace”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·8 min readSundance ’14 Interview: Jeffrey Radice on Hitting the Curveballs of Dock Ellis’ Life in “No No: A Dockumentary”
InterviewsSundance·6 min readSundance ’15 Interview: Brad Besser & Trent Harris on the Long Life of “Beaver Trilogy Part IV”
ReviewsSundance·2 min readSundance ’15 Review: A Feeling of Alienation in Michael Madsen’s “The Visit”
Sundance·10 min readSundance ’16 Interview: Andrew Ahn on Sweating It Out with the Refreshing “Spa Night”
Sundance·10 min readSundance ’16 Interview: Bonni Cohen & Jon Shenk on the Cyber Bullying & Real Pain Behind “Audrie and Daisy”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”