Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Sundance·9 min readSundance ’16 Interview: JJ Garvine & Tai Parquet on Revealing an Indie Film Legend in “Film Hawk”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: A Droll Documentarian & a Mystery Woman on the Run Conspire for Fun in “Jacqueline (Argentine)”
ReviewsSundance·3 min readSundance ’16 Review: An Ascendant Portrait of an Artist in “Sky Ladder: The Art of Cai Guo Qiang”
ReviewsSundance·2 min readSundance ’16 Review: Felix van Groeningen Throws Quite the Bash in “Belgica”
ReviewsSundance·2 min readSundance ’16 Review: It’s Easy to Fall Hard for Kerem Sanga’s “First Girl I Loved”
ReviewsSundance·3 min readSundance ’16 Review: Small Progressions, Big Moments in Kelly Reichardt’s Strong “Certain Women”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”