Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·8 min readSundance ’18 Interview: Mor Loushy and Daniel Sivan on Finding Overtures of Peace in the Pages of “The Oslo Diaries”
InterviewsSundance·10 min readSundance ’18 Interview: Cameron Yates & Laura Coxson on the Complex Recipe That Went Into Making “Chef Flynn”
InterviewsSundance·11 min readSundance ’18 Interview: Cathy Yan on Breathing Life Into the Delightful “Dead Pigs”
InterviewsSundance·14 min readInterview: Michael Dweck on the Drive to Keep Going with “The Last Race”
InterviewsSundance·9 min readInterview: Sebastián Hofmann on Taking Audiences For a Trip in “Tiempo Compartido (Time Share)”
InterviewsSundance·10 min readSundance ’18 Interview: Cristina Costantini & Darren Foster on Their Grand Experiment of “Science Fair”
InterviewsSundance·18 min readSundance ’18 Interview: Anna Margaret Hollyman on the Birth of “Maude” and a Career in Directing
InterviewsSlamdance·8 min readSlamdance ’18 Interview: Charlie Birns on Investigating “Human Affairs”
Interviews·12 min readInterview: Ziad Doueiri on Getting at the Roots of the War of Words in “The Insult”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”