Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·10 min readTIFF ’17 Interview: Sergio G. Sanchez & George MacKay on Making a Haunted House a Home in “Marrowbone”
ReviewsTIFF·2 min readTIFF ’17 Review: A Messy Divorce is Precisely Realized in Xavier Legrand’s Electrifying “Custody”
InterviewsTIFF·10 min readTIFF ’17 Interview: Barbara Albert on Seeing Anew in “Mademoiselle Paradis”
InterviewsTIFF·6 min readInterview: Robin Aubert on Finding the Undead Alive with Possibilities in “Ravenous”
InterviewsTIFF·7 min readInterview: Amr Salama on Looking at the Man in the Mirror for “Sheikh Jackson”
InterviewsTIFF·9 min readInterview: Tali Shalom-Ezer on Finding Love in a Hopeless Place in “My Days of Mercy”
ReviewsTIFF·3 min readTIFF ’17 Review: A Zombie Thriller That’s Anything But Brain Dead in “The Cured”
ReviewsTIFF·2 min readTIFF ’17 Review: An End That Leads to Many Beginnings in Lisa Langseth’s Sensational “Euphoria”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”