Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF 2022 Review: “The Grab” Gets Resourceful in Capturing a Dramatic Shift in Global Food Supply Chains
InterviewsTIFF·6 min readTIFF 2022 Interview: Karimah Zakia Issa on Channeling the Inner Fears of “Scaring Women at Night”
InterviewsTIFF·9 min readTIFF 2022 Interview: James Cosmo and Klaus Härö on Getting to the Emotional Depths of “My Sailor, My Love”
ReviewsTIFF·2 min readTIFF 2022 Review: “Bones of Crows” Boasts a Grand Historical Sweep That Leaves Nothing Under the Rug
ReviewsTIFF·2 min readTIFF 2022 Review: A Journalist’s Pursuit of the Truth Leads to Soul Searching in “While We Watched”
InterviewsTIFF·9 min readTIFF 2022 Interview: Sarah McCarthy on Reaching a Sea of Tranquility Amidst Treacherous Political Tides in “Anastasia”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”