Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF 2022 Review: A No Strings Attached Offer Unravels in the Illuminating “Free Money”
ReviewsTIFF·2 min readTIFF 2022 Review: “Aristotle and Dante Discover the Secrets of the Universe” Uncovers Hidden Emotions
InterviewsTIFF·8 min readTIFF 2022 Interview: Olivia Peace on Running Down a Dream in “Against Reality”
ReviewsTIFF·2 min readTIFF 2022 Review: After Resettlement, a Struggle to Live with Purpose Commences in “Concrete Valley”
ReviewsTIFF·2 min readTIFF 2022 Review: A Journalist’s Pursuit of the Truth Leads to Soul Searching in “While We Watched”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”