December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
September 8, 2017 TIFF ’17 Review: A Steady Hand Guides a Relationship on the Rocks in “On Chesil Beach”
June 13, 2013 Interview: Geoffrey Fletcher on Doing Something Different, Really Different With “Violet & Daisy”
September 17, 2011 TIFF ’11 Review: When Girls Just Want to Have Fun…With Guns in Geoffrey Fletcher’s Audacious “Violet & Daisy”
