Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Interview: Roya Sadat on Watching Women Take a Seat at the Negotiating Table in “The Sharp Edge of Peace”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
New York Film FestivalReviews·3 min readNew York Film Fest 2020 Review: “MLK/FBI” Interrogates and Demonstrates the Great Power of Images
TIFF·11 min readTIFF ’17 Interview: Sam Pollard on a Man of Many Talents in “Sammy Davis Jr.: I’ve Gotta Be Me”
Interviews·9 min readInterview: Sam Pollard on Recounting History In a Way It Won’t Have to Repeat Itself in “MLK/FBI”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South
Interviews·11 min readRachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”
Interviews·7 min readInterview: Sam Pollard on Laying the Track for the Powerful “Two Trains Runnin'”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”