DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South
Interviews·11 min readRachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”
TIFF·11 min readTIFF ’17 Interview: Sam Pollard on a Man of Many Talents in “Sammy Davis Jr.: I’ve Gotta Be Me”
Interviews·9 min readInterview: Sam Pollard on Recounting History In a Way It Won’t Have to Repeat Itself in “MLK/FBI”
New York Film FestivalReviews·3 min readNew York Film Fest 2020 Review: “MLK/FBI” Interrogates and Demonstrates the Great Power of Images
Interviews·7 min readInterview: Sam Pollard on Laying the Track for the Powerful “Two Trains Runnin'”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”