DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
Interviews·6 min readInterview: Mona Fastvold on Locating the Language of Love in “The World to Come”
ReviewsTIFF·2 min readTIFF ’19 Review: Gabriela Cowperthwaite’s “The Friend” Shows a Rare Bit of Kindness
Interviews·12 min readInterview: Sound Designer Jacob Ribicoff on the Call of “Manchester By the Sea”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2020 Review: Mona Fastvold’s “The World to Come” Opens Up Closed Minds on the Prairie
Interviews·7 min readInterview: Casey Affleck and Anna Pniowsky on the Diversions That Build Character in “Light of My Life”
Interviews·11 min readInterview: Editor Jen Lame on Cutting to the Quick with “Manchester By the Sea”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”