The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Edward Burns on Turning on the Charm in “Summer Days, Summer Nights”

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Carol Kane

To Live and Screen in L.A.

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

On the restoration of Joan Micklin Silver's classic of an immigrant adjusting to life in New York and how she got the film business to adapt to her.
Read Story
Louisa Krause and Carol Kane in "Ava's Possessions"
InterviewsSXSW

Interview: Jordan Galland and Louisa Krause on Digging Into “Ava’s Possessions”

The director and star talk about exorcising their demons in the horror comedy hit of SXSW.
Read Story
A scene from John Stimpson's "Ghost Light"
Reviews

Austin Film Fest ’18 Interview: John Stimpson & Roger Bart on Being Drawn to “Ghost Light”

The director and star of this supernatural comedy talk about finding the laughs in a production of the Shakespeare play where no actor dares speak its name.
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A scene from John Stimpson's "Ghost Light"
L.A. Film FestReviews

L.A. Film Fest ’18 Review: A Spirited Comedy Grows Out of Shakespearean Tragedy in “Ghost Light”

A production of "Macbeth" goes wildly off the rails for a community theater troupe, but a seasoned cast makes the punchlines land in this sharp satire.
Read Story
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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