Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·7 min readSundance 2021 Interview: Gregory Barnes on Getting the Right Feel for “The Touch of the Master’s Hand”
ReviewsSundance·2 min readSundance 2020 Review: Matt Wolf Finds the Reality in the Beautiful Dream of “Spaceship Earth”
ReviewsSundance·2 min readSundance 2020 Review: A Jazz Musician Has a Lot to Play for in Eugene Ashe’s Beautiful “Sylvie’s Love”
ReviewsSundance·3 min readSundance 2020 Review: Lance Oppenheim’s “Some Kind of Heaven” is One Glorious Trip
InterviewsSundance·7 min readSundance 2020 Interview: Linas Phillips on the Driving Forces Behind “The Ride”
ReviewsSundance·2 min readSundance 2020 Review: A House is Not a Home in Josephine Decker’s Enthralling “Shirley”
ReviewsSundance·2 min readSundance 2020 Review: Edson Oda’s “Nine Days” Offers a Rare and Special Time to Reflect
InterviewsSundance·8 min readInterview: Esteban Arango and Erick Castrillon on Getting Loud with “Blast Beat”
InterviewsSundance·8 min readSundance 2020 Interview: Radu Ciorniciuc on a Family That Comes Out of the Wilderness in “Acasa, My Home”
ReviewsSundance·2 min readSundance 2020 Review: There’s Flashes of Brilliance in Heidi Ewing’s Exquisite “I Carry You With Me”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”