Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·6 min readSundance 2020 Interview: Brian Knappenberger on a Test of a Scout’s Honor in “Church and the Fourth Estate”
Sundance·11 min readSundance 2020 Interview: Robert Machoian on the Family That Emerged from Making “The Killing of Two Lovers”
InterviewsSundance·8 min readSundance 2020 Interview: Ryan White on Capturing the Elusive Targets of “Assassins”
InterviewsSundance·9 min readSundance 2020 Interview: Romola Garai on the Horrors You Can’t Shake with “Amulet”
ReviewsSundance·2 min readSundance 2020 Review: The Past Reveals the Present in the Beguiling “Luxor”
ReviewsSundance·2 min readSundance 2020 Review: A Nation’s Anxiety is Revealed in Arthur Jones’ Diverting “Feels Good Man”
ReviewsSundance·3 min readSundance 2020 Review: An Animator Who Didn’t Play By the Rules Gets His Due, For Better and Worse, in “Happy Happy Joy Joy: The Ren & Stimpy Story”
InterviewsSundance·6 min readSundance 2020 Interview: Patricia Vidal Delgado on the Radical Ideas of Love Behind “La Leyenda Negra”
ReviewsSundance·3 min readSundance 2020 Review: The Students of Parkland Give Their Country a Higher Education on Gun Violence in “Us Kids”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”