Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·9 min readSundance 2024 Interview: Klaudia Reynicke on the Crowning Achievement of “Reinas”
InterviewsSundance·9 min readSundance 2024 Interview: Scott Cummings on the Devil You Know in “Realm of Satan”
InterviewsSundance·10 min readSundance 2024 Interview: Hans Block and Moritz Riesewieck on a Conversation with the Unknown in “Eternal You”
InterviewsSundance·10 min readSundance 2024 Interview: Haley Elizabeth Anderson on Creating the Conditions to Thrive in “Tendaberry”
InterviewsSundance·8 min readSundance 2024 Interview: Silje Evensmo Jacobsen on a Life That Goes on in “A New Kind of Wilderness”
InterviewsSundance·8 min readSundance 2024 Interview: Kate Jean Hollowell on a Delightful Dance with Death in “Say Hi After You Die”
Interviews·12 min readSlamdance 2024 Interview: Omar S. Kamara on Standing Tall on the Shoulders of “African Giants”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”