Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·7 min readTIFF 2023 Interview: Edoardo Gabbriellini on a Loss of Innocence in “Holiday”
InterviewsTIFF·7 min readTIFF 2023 Interview: Paula Hernández on Stirring up a Storm of Emotions in “A Ravaging Wind”
InterviewsTIFF·5 min readTIFF 2023 Interview: Axel Petersén and Joel Spira on Making a Different Kind of Getaway in “Shame on Dry Land”
InterviewsTIFF·7 min readTIFF 2023 Interview: Alain Parroni on Looking Towards Tomorrow in “An Endless Sunday”
InterviewsTIFF·9 min readTIFF 2023 Interview: Hiam Abbass and Lina Soualem on Placing Memories in “Bye Bye Tiberias”
InterviewsTIFF·8 min readTIFF 2023 Interview: Ivete Lucas and Patrick Bresnan on a Celebration of Life in “The Passing”
InterviewsTIFF·10 min readTIFF 2023 Interview: Eva Thomas on Giving Herself the Greenlight to Make “Redlights”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”