Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·9 min readInterview: Matthew Heineman on Covering a War of Information in “City of Ghosts”
Interviews·12 min readInterview: Lana Wilson on Locating Humanity in the Transcendent Experience of “The Departure”
Interviews·7 min readInterview: Antonio Santini & Dan Sickles on Finding the Right Star Vehicle for “Dina”
InterviewsTIFF·7 min readTIFF ’17 Interview: Saul Dibb on Bringing Out the Battle for the Soul in Wartime in “Journey’s End”
InterviewsTIFF·10 min readTIFF ’17 Interview: Sergio G. Sanchez & George MacKay on Making a Haunted House a Home in “Marrowbone”
InterviewsTIFF·10 min readTIFF ’17 Interview: Barbara Albert on Seeing Anew in “Mademoiselle Paradis”
InterviewsTIFF·6 min readInterview: Robin Aubert on Finding the Undead Alive with Possibilities in “Ravenous”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”