DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: Bill and Turner Ross’ “Gasoline Rainbow” Sets Its Sights on New Horizons
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: A Legal System Goes Under the Knife in Selman Necar’s Sharp “Hesitation Wound”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: The Stars Come Out at Night in Saverio Costanzo’s “Finally Dawn”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: “Thank You Very Much” Pins Down the Genius of Andy Kaufman
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: “The Outpost” Applies a Light Touch to a Trip Into the Heart of Darkness
Reviews·3 min readVenice Film Fest 2023 Review: Robert Kolodny’s “The Featherweight” Doesn’t Pull Punches
ReviewsVenice Film Festival·2 min readVenice Film Fest 2023 Review: A Missing Baby Becomes the Least of a Trio’s Problems in Karan Tejpal’s Stirring “Stolen”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”