September 14, 2026 TIFF 2026 Review: Annie Murphy Couldn’t Be Better in the Deeply Satisfying Rom-Com “All That She Wants”
September 13, 2026 TIFF 2026 Review: Things Start to Not Add Up for a Mathematician in Niki Byrne’s Rousing “The Julia Set”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 14, 2026 TIFF 2026 Review: Annie Murphy Couldn’t Be Better in the Deeply Satisfying Rom-Com “All That She Wants”
September 13, 2026 TIFF 2026 Review: Things Start to Not Add Up for a Mathematician in Niki Byrne’s Rousing “The Julia Set”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
March 6, 2023 True/False 2023 Review: A Chorus Rises for a Pop Star’s Political Ambitions in “Bobi Wine: The People’s President”
March 6, 2023 True/False 2023 Review: Silvia Del Carmen Castaños & Estefanía “Beba” Contreras’ “Hummingbirds” Sets the Mind Aflutter
March 4, 2023 True/False 2023 Review: A Habit Starts to Form in Elizabeth Mirzaei’s Breathtaking “Natalia”
March 4, 2023 True/False 2023 Review: “The Taste of Mango” Delivers a Powerful Love Letter from a Daughter to Her Mother
March 4, 2023 True/False Film Fest 2023 Review: A Village Thought to Be on Death’s Door Comes Alive in Maksym Melnyk’s “Three Women”
