Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·11 min readTIFF 2021 Interview: Penny Lane on Exploring the Rougher Edges Around the Popularity of Smooth Jazz in “Listening to Kenny G”
ReviewsTIFF·2 min readTIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”
ReviewsTIFF·2 min readTIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”
ReviewsTIFF·2 min readTIFF 2021 Review: A Sound Designer Gets Back on Track in Juanjo Giménez’s Moving “Out of Sync”
InterviewsTIFF·10 min readMounia Akl on Turning the Imposition of Trash Into a Film to Treasure in “Costa Brava, Lebanon”
InterviewsTIFF·8 min readTIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”
InterviewsTIFF·7 min readTIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”
ReviewsTIFF·2 min readTIFF 2021 Review: History is a Wily Creature in Emre Kayis’ Poignant “Anatolian Leopard”
ReviewsTIFF·2 min readToronto Film Fest 2021 Review: A Wrong Diagnosis is Righted in Melanie Laurent’s Spirited Drama “The Mad Woman’s Ball”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”