Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·9 min readTIFF 2021 Interview: Kausar Mohammed and Fawzia Mirza on a Trial By Chai in “Syed Family Xmas Eve Game Night”
InterviewsTIFF·8 min readTIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”
ReviewsTIFF·2 min readTIFF 2021 Review: A Sound Designer Gets Back on Track in Juanjo Giménez’s Moving “Out of Sync”
InterviewsTIFF·8 min readTIFF 2021 Interview: Kate Dolan, Hazel Doupe and Carolyn Bracken on the Horror at Home in “You Are Not My Mother”
InterviewsTIFF·10 min readMounia Akl on Turning the Imposition of Trash Into a Film to Treasure in “Costa Brava, Lebanon”
InterviewsTIFF·7 min readTIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”
ReviewsTIFF·2 min readTIFF 2021 Review: History is a Wily Creature in Emre Kayis’ Poignant “Anatolian Leopard”
ReviewsTIFF·3 min readTIFF 2021 Review: Clio Barnard’s Irresistibly Jubilant “Ali & Ava” Charts a Delicate Dance Towards Romance
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”