Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·6 min readTIFF ’19 Interview: Daniel Joseph Borgman on Peeling Back a Self-Contained World in “Resin”
ReviewsTIFF·2 min readTIFF ‘19 Review: Jack O’Connell and Charlie Hunnam Make It Well Worth the Trip to “Jungleland”
InterviewsTIFF·11 min readTIFF ’19 Interview: Odessa Young and David Raboy on Working Towards Something Major with “The Giant”
ReviewsTIFF·2 min readTIFF ‘19 Review: A Cooperative Unravels in Grímur Hákonarson’s Very Agreeable “The County”
ReviewsTIFF·2 min readTIFF ’19 Review: A Slice of Serenity Cuts Through The Noise in Darius Marder’s “Sound of Metal”
InterviewsTIFF·8 min readTIFF ’19 Interview: Yehuda Nahari Halevi and Yaron Zilberman on Getting Inside the Mind of an Assassin in “Incitement”
ReviewsTIFF·2 min readTIFF ’19 Review: Eva Mulvad Shows a Love That Truly Has No Name in “Love Child”
ReviewsTIFF·2 min readTIFF ’19 Review: There’s Something in the Water In Neasa Hardiman’s “Sea Fever”
ReviewsTIFF·2 min readTIFF ’19 Review: An Updated Greek Tragedy Hits Home No Matter Where You Live In Sophie Deraspe’s “Antigone”
InterviewsTIFF·8 min readTIFF ’19 Interview: Oualid Mouaness on Fighting to Preserve a Childhood in “1982”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”