Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readTIFF ’18 Interview: Patricia Rozema on Amplifying Women’s Voices with “Mouthpiece”
ReviewsTIFF·2 min readTIFF ’18 Review: A Friend for Hire Becomes a Connection to Cherish in John Butler’s “Papi Chulo”
ReviewsTIFF·3 min readTIFF ’18 Review: Amma Asante Searches for Love in a World Full of Hate in “Where Hands Touch”
ReviewsTIFF·2 min readTIFF ’18 Review: Michael Winterbottom Offers an Invitation to Adventure with “The Wedding Guest”
ReviewsTIFF·2 min readTIFF ’18 Review: Adewale Akinnuoye-Agbaje’s “Farming” Yields a Vivid Portrait of Youth in Revolt
ReviewsTIFF·2 min readTIFF ’18 Review: Small Shifts in Perspective Make a World of Difference in “Giant Little Ones”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”