Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSXSW·2 min readSXSW 2023 Review: A Musician Struggles to Change Her Tune in the Endearing “Cora Bora”
InterviewsSXSW·7 min readSXSW 2023 Interview: Lagueria Davis on a Model for the Future in “Black Barbie: A Documentary”
Uncategorized·3 min readSXSW 2023 Review: “The Herricanes” Plays a Game of Inches with Runaway Success
ReviewsSXSW·3 min readSXSW 2023 Review: Alexandre O. Philippe’s “You Can Call Me Bill” Finds an Actor in the Role of His Life
InterviewsSXSW·9 min readSXSW 2023 Interview: Luchina Fisher on Looking Towards a New Frontier in “The Dads”
ReviewsSXSW·3 min readSXSW 2023 Review: A Dire Prognosis Opens Up Emotional Floodgates in Molly McGlynn’s “Bloody Hell”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”