Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·11 min readSXSW 2023 Interview: Sophie Jarvis on Turning a Bug Into a Feature in “Until Branches Bend”
InterviewsSXSW·12 min readSXSW 2023 Interview: Tomas Gomez Bustillo on the Divine Comedy of “Chronicles of a Wandering Saint”
Uncategorized·3 min readSXSW 2023 Review: “The Herricanes” Plays a Game of Inches with Runaway Success
ReviewsSXSW·2 min readSXSW 2023 Review: A Musician Struggles to Change Her Tune in the Endearing “Cora Bora”
InterviewsSXSW·9 min readSXSW 2023 Interview: Steven J. Adams and Sean Horlor on Having a Devil of a Time with “Satan Wants You”
ReviewsSXSW·3 min readSXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation
ReviewsSXSW·3 min readSXSW 2023 Review: A Dire Prognosis Opens Up Emotional Floodgates in Molly McGlynn’s “Bloody Hell”
ReviewsSXSW·2 min readSXSW 2023 Review: A Self-Awareness Grows in Lisa Steen’s Lovely “Late Bloomers”
ReviewsSXSW·3 min readSXSW 2023 Review: Alexandre O. Philippe’s “You Can Call Me Bill” Finds an Actor in the Role of His Life
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”