Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·5 min readSXSW ’15 Interview: Patrick Kennelly & Mary Loveless Give Weight to “Excess Flesh”
InterviewsSXSW·7 min readSXSW ’15 Interview: Katharine Emmer on Looking for the Bright Side in “Life in Color”
InterviewsSXSW·12 min readSXSW ’15 Interview: Eugene Kotlyarenko on Going Where No One Dares with “A Wonderful Cloud”
ReviewsSXSW·3 min readSXSW ’15 Review: Killer Horror Comedy “The Final Girls” Starts Something Special
InterviewsSXSW·11 min readInterview: Gillian Horvat on Getting Down and Dirty with “Kiss Kiss Fingerbang”
InterviewsSXSW·8 min readSXSW ’15 Interview: Justin Lerner and Joseph Cross on the Complications of Love in “The Automatic Hate”
InterviewsSXSW·9 min readInterview: Jordan Galland and Louisa Krause on Digging Into “Ava’s Possessions”
ReviewsSXSWUncategorized·3 min readSXSW ’15 Review: With “Uncle Kent 2,” A Sequel That’s Something Else
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”