The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

  • Reviews
    Reviews

    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    How the Other Half Lives: On Gaspar Noé’s Provocative Act of Compassion in “Vortex” and “Lux Æterna”

    Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    SIFF 2022 Review: “Warm Blood” Has Its Finger on the Pulse

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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Switzerland

Marie Leuenberger in "The Divine Order"
Interviews

Interview: Petra Volpe on Finding the Divine Comedy in “The Divine Order”

The writer/director talks about being born to make this rousing crowdpleaser about the women's suffrage movement in 1970s Switzerland.
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Marie Leuenberger and Maximilian Simonischek in "The Divine Order"
ReviewsTribeca Film Festival

Tribeca ’17 Review: Petra Volpe’s Propulsive “The Divine Order” Puts Women on Top

The winner of Tribeca's Grand Jury Prize and Audience Award winner is a crowdpleasing and eerily timely flashback to the drive for women's suffrage in 1970s Switzerland.
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Matthias Hungerbühler and Sven Schelker in "The Circle"
Uncategorized

Interview: Stefan Haupt, Ernst Ostertag and Röbi Rapp on Completing “The Circle”

The filmmaker and subjects of the Swiss Oscar entry talk about bringing a story about a groundbreaking gay publication from the past into the present.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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