Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance 2022 Review: A Breathtaking New Voice Considers a Loss of Cultural Identity in “Nanny”
ReviewsSundance·2 min readSundance 2022 Review: A History of Slavery Can’t Be Washed Away in Margaret Brown’s Mighty “Descendant”
ReviewsSundance·2 min readSundance 2022 Review: A Dangerous Spark Ignites the Electrifying “Palm Trees and Power Lines”
InterviewsSundance·10 min readRachel Lears on Beating Back Cynicism About the Environmental Crisis in “To The End”
ReviewsSundance·3 min readSundance 2022 Review: Truth Can’t Be Abandoned in Violet Columbus and Ben Klein’s “The Exiles”
ReviewsSundance·3 min readSundance 2022 Review: Andrew Semans’ “Resurrection” Becomes an Object of Obsession
ReviewsSundance·2 min readSundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
ReviewsSundance·3 min readSundance 2022 Review: Sam Green’s “32 Sounds” Enters the Heart Through the Ears
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”