The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Paul Solet on Getting His Hands Dirty for “Clean”

    Rotterdam Film Fest 2022 Interview: Amanda Kramer on Putting Her All Into “Give Me Pity”

    Slamdance 2022 Interview: Avalon Fast on Building Buzz for “Honeycomb”

  • Reviews
    Reviews

    Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”

    Sundance 2022 Review: A Dangerous Spark Ignites the Electrifying “Palm Trees and Power Lines”

    Sundance 2022 Review: An Empathy Develops in “Girl Picture”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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    Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”

    Slamdance 2022 Interview: Hugo De Sousa and Frank Mosley on a Wait Well Worth It in “The Event”

    Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”

    Bernadette Wegenstein on Rising to the Occasion in “The Conductor”

    Slamdance 2022 Interview: Avalon Fast on Building Buzz for “Honeycomb”

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On the Count of Three

ReviewsSundance

Sundance 2021 Review: Jerrod Carmichael’s “On the Count of Three” Makes the Most Out of One Last Day

Given his distinctive sensibilities, the writer/director/actor's pitch-black comedy about friends who strike a suicide pact truly is all in the execution.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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