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Nico Muhly

SIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”

An exhilarating, living document as adventurous as the event it covers - David Byrne's grand musical experiment with Color Guard squads.

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Matt Damon and Anna Paquin in Kenneth Lonergan's "Margaret"

Interviews

Interview: Composer Nico Muhly on the Music for “Margaret”

The composer behind the elegant score of Kenneth Lonergan's sprawling drama talks about his favorite four-hour version of the film and the challenge of creating a sound for New York City.

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Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

Rachel Fleit on Getting Underneath the Surface with “Introducing Selma Blair”

Alex Camilleri and Jesmark Scicluna on Staying Ahead of a Rising Tide in “Luzzu”

Newport Beach Film Fest 2021 Review: “Never Catch Pigeons: And Eleven More Hard Lessons from Mr. Paul Van Doren” Does the Legwork for an Engaging History of Vans

Beyond Fest 2021 Review: “The Black Phone” Answers the Call

Hamptons Film Fest 2021 Review: Paolo Sorrentino Shows Some Perspective with “The Hand of God”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

Newport Beach Film Fest 2021 Review: “Never Catch Pigeons: And Eleven More Hard Lessons from Mr. Paul Van Doren” Does the Legwork for an Engaging History of Vans

Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

Interview: Eytan Rockaway on Piecing Together a Legacy in “Lansky”

Nico Muhly

SIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”

Interview: Composer Nico Muhly on the Music for “Margaret”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies