The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Joshua Leonard and Jess Weixler on Kidding Around While You Can in “Fully Realized Humans”

    Braden King on Looking to the Land for Opportunity in “The Evening Hour”

    Malgorzata Szumowzska and Michal Englert on Having a Light Touch in “Never Gonna Snow Again”

  • Reviews
    Reviews

    Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”

    Cannes 2021 Review: Na Jiazuo’s “Streetwise” Takes the Road Less Traveled

    Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

  • Trending
    NowWeekMonth

    Maria Gabriela Cardenas on a Family Affair Full of Fear in “A Dark Foe”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Sonia Kennebeck on What the Public Deserves to Know in “Enemies of the State”

    Melora Waters and Jeffrey DeMunn in "The Amaranth"

    Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

    Joshua Leonard and Jess Weixler on Kidding Around While You Can in “Fully Realized Humans”

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Nick Bentgen

Justin Peck in "Ballet 422"
Interviews

Interview: Jody Lee Lipes on Stepping Up to “Ballet 422”

The celebrated cinematographer of "Martha Marcy May Marlene" and "Tiny Furniture" turns his camera on someone just as innovative in choreographer Justin Peck.
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Justin Peck in Jody Lee Lipes' "Ballet 422"
ReviewsTribeca Film Festival

Tribeca ’14 Review: A Body Takes Shape in Jody Lee Lipes’
Graceful “Ballet 422”

A portrait of the New York City Ballet as elegant as its dancers onstage.
Read Story
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Copyright 2011 The Moveable Fest

Zeen Trending

Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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