September 12, 2026 TIFF 2026 Review: An Individual Betrayal Touches Everyone in Benjamin Naishtat’s Compelling “Glaxo”
September 12, 2026 TIFF 2026 Review: Friends Search for Higher Ground in Irene Dionosio’s Volcanic “Idda”
September 11, 2026 Venice Film Fest 2026 Review: A Homecoming Feels Anything But in Michelle Zhou’s Vivid Drama “Big Little Things”
September 11, 2026 TIFF 2026 Interview: Zarrar Khan and Mohammad Ali Hashmi on Working Out a Lot in “The Lion Does Not Concern Himself”
September 12, 2026 TIFF 2026 Review: An Individual Betrayal Touches Everyone in Benjamin Naishtat’s Compelling “Glaxo”
September 12, 2026 TIFF 2026 Review: Friends Search for Higher Ground in Irene Dionosio’s Volcanic “Idda”
September 11, 2026 Venice Film Fest 2026 Review: A Homecoming Feels Anything But in Michelle Zhou’s Vivid Drama “Big Little Things”
September 11, 2026 TIFF 2026 Interview: Zarrar Khan and Mohammad Ali Hashmi on Working Out a Lot in “The Lion Does Not Concern Himself”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
June 18, 2025 DC/DOX 2025 Interview: Jon Shenk on Following Navy SEALS on a Most Unique Mission to Save Lives in “In Waves and War”
January 27, 2016 Sundance ’16 Interview: Bonni Cohen & Jon Shenk on the Cyber Bullying & Real Pain Behind “Audrie and Daisy”
