Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”
Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
Interview: Alexander Mora on Finding the Right Lens to Tell of the Terror in the Philippines in “The Nightcrawlers”
ReviewsTribeca Film FestivalTribeca ’18 Review: In Jon Kasbe’s Riveting “When Lambs Become Lions,” the Hunter Becomes the HuntedA documentary about the illicit ivory trade in Kenya is a surprisingly engrossing thriller. Read Story
InterviewsInterview: Jon Kasbe on Filming Between Two Sides of the Law in “When Lambs Become Lions”The filmmaker talks about his provocative and propulsive nonfiction thriller set in the dangerous world of poaching in Northern Kenya. Read Story
InterviewsWe Are One Film Festival Interview: Jon Kasbe on the Special Delivery of “Blood Rider”The director of "When Lambs Become Lions" on capturing the race to save the life of a woman in need of blood that'll raise your pulse. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”