The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

  • Reviews
    Reviews

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: A Broken Heart Takes Time to Mend in Lea Mysius’ Enthralling “The Five Devils”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
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    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Beyond Fest 2021 Review: “The Black Phone” Answers the Call

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jazz

Interviews

Interview: Sophie Huber and Terrace Martin on How the Beat Goes On in “Blue Note Records: Beyond the Notes”

The filmmaker and musician talk about their rousing new film about the legendary jazz label and how its rich cultural legacy extends into the present.
Read Story
The Frank Morgan Tribute band at San Quentin, L to R: George Cables, piano; Ron Carter, bass; Grace Kelly, alto; Mark Gross, alto; Delfeayo Marsalis, trombone; Marvin "Smitty" Smith, drums.
InterviewsL.A. Film Fest

Interview: NC Heikin Brings Back a Legend from the Brink in “Sound of Redemption”

On finding her way beyond prison walls for the incredible story of saxophonist Frank Jordan.
Read Story
Lee Morgan and Helen Morgan in "I Called Him Morgan"
Interviews

Interview: Kasper Collin on Restoring the Name of a Legendary Jazz Trumpeter — and His Wife — in “I Called Him Morgan”

The director of this captivating recounting of the life of jazz trumpeter Lee Morgan and the woman that saved his life — and ended it.
Read Story
Miles Teller in "Whiplash"
Interviews

Interview: Damien Chazelle on Surviving “Whiplash”

On drumming out the intense drama in 19 days and the harmony of musicals and horror in his head.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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