Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·7 min readAnna Margaret Hollyman, Lisa Robinson and Annie J. Howell on Tinkering With “Small, Beautifully Moving Parts”
Interviews·8 min readInterview: Bess Kargman on “First Position” and Reflecting the Beauty Behind the Scenes in Ballet
Interviews·12 min readInterview: Zal Batmanglij and Brit Marling on Creating a New Type of Cult Movie With “Sound of My Voice”
InterviewsTribeca Film Festival·8 min readTribeca ’12 Interview: Adam Christian Clark on the Savage Sisterhood of “Caroline and Jackie”
InterviewsSXSW 2012·8 min readInterview: Amy Seimetz, Kentucker Audley and Kate Lyn Sheil on the Sun-Dappled Suspense of “Sun Don’t Shine”
Interviews·10 min readInterview: Joseph Kahn on His Self-Financed “Detention,” Dream Space, and Film Critics as Filmmakers
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”