Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”
Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”
A Face in the CrowdA Face in the Crowd: Colin Healey Aims to Conjure Something Special With “For Entertainment Purposes Only”The director of the raucous "Homemakers" has turned to the crowd to help with his second feature about a clairvoyant con artist who must figure out how to make her psychic abilities work for real. Read Story
InterviewsInterview: Colin Healey and Rachel McKeon Flirt with Domesticity in “Homemakers”The director and star of the Northside Fest-bound comedy talk about bringing down the house. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
