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Dylan Thomas

Interview: Andy Goddard on Plotting “A Kind of Murder”

The director talks about tackling icons - his latest, Patricia Highsmith - and feeling at home with the story of an aspiring crime writer who feels out of place in 1960s upstate New York.

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Jamila Wignot on Where the Spirit Moved Her in Making “Ailey”

Harry Greenberger on Getting at the Soul in the City in “Here After”

Ainsley Gardiner and Briar Grace-Smith on Making Profound Connections in “Cousins”

Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”

Cannes 2021 Review: Na Jiazuo’s “Streetwise” Takes the Road Less Traveled

Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Jamila Wignot on Where the Spirit Moved Her in Making “Ailey”

Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

Dylan Thomas

Interview: Andy Goddard on Plotting “A Kind of Murder”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies