The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

  • Reviews
    Reviews

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: A Broken Heart Takes Time to Mend in Lea Mysius’ Enthralling “The Five Devils”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
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    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Beyond Fest 2021 Review: “The Black Phone” Answers the Call

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Dylan Gelula

Interviews

Interview: Cooper Raiff on Getting at Grace in “Shithouse”

The writer/director talks about crafting a walk to remember with this bewitching romantic drama.
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Dylan Gelula in "First Girl I Loved"
ReviewsSundance

Sundance ’16 Review: It’s Easy to Fall Hard for Kerem Sanga’s “First Girl I Loved”

A clever way of looking at a high school love triangle and a strong lead performance anchor Kerem Sanga's sophomore film.
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ReviewsSXSW

SXSW 2020 Review: An Unexpected Connection Blossoms in Cooper Raiff’s “Shithouse”

Armed with the radiant Dylan Gelula as his co-pilot, the first-time writer/director takes audiences for a walk to remember in this sensitive comedy.
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Dylan Gelula in "First Girl I Loved"
Interviews

Interview: Kerem Sanga on Getting to Know “First Girl I Loved”

The "Young Kieslowski" writer/director on revisiting high school for this endearing romance and the inspiration he finds in the unknown.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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