The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Ronnie Sandahl on Taming a Beast in “Tigers”

    Natalia Meta on Sneaking Into Your Soul with “The Intruder”

    Laura Wandel on the World of Preparation That Went Into “Playground”

  • Reviews
    Reviews

    DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles

    DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”

    DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

  • Trending
    NowWeekMonth

    Torquil Jones and Nirmal Purja on a Life Moving Mountains in “14 Peaks: Nothing is Impossible”

    Laura Wandel on the World of Preparation That Went Into “Playground”

    Venice Film Fest 2021 Review: A Youth Retreat Reveals a Terrifying and Inescapable Reality in Joaquín del Paso’s “The Hole in the Fence”

    Ryoo Seung-wan on Making a Thrilling “Escape from Mogadishu”

    Max Lowe on How Filmmaking Could Capture — and Facilitate — His Family Rebuilding Itself in “Torn”

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Chachi Hauser

Carlen May-Mann's "The Rat"
A Face in the Crowd

A Face in the Crowd: Carlen May-Mann Slyly Finds a New Way Into the Horror Genre with “The Rat”

A new short currently crowdsourcing on Kickstarter puts an inspired new twist on the haunted house, exposing the inherent sexism of the horror genre.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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