Tribeca 2021 Interview: Emmett Brennan on Tapping Into Creative Forms of Conservation in “Reflection: a walk with water”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”
Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Interview: Silja Hauksdóttir, Katla M. Porgeirsdóttir, and Donna Cruz on Taking the Roads Less Traveled to Contentment in “Agnes Joy”
Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”
ReviewsReview: Finding the Humor in the Tears of a Clown in Álex de la Iglesia’s “The Last Circus”The latest from the Spanish auteur behind genre mashups such as "800 Bullets" and "El Crimen Ferpecto" finds a home under the big top with this insane and insanely funny dark comedy about dueling clowns. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
