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Anson Williams

Flashback – The Star of Texas: How Austin Became a Filmmaking Capital

Richard Linklater, Catherine Hardwicke and Harry Knowles, among others, give their recollections about how the state they were raised in helped shape their view of movies and how their view would one day shape movies.

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Sterlin Harjo on the Art That Breaks Through in “Love and Fury”

Ronnie Sandahl on Taming a Beast in “Tigers”

Natalia Meta on Sneaking Into Your Soul with “The Intruder”

DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles

DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”

DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

Torquil Jones and Nirmal Purja on a Life Moving Mountains in “14 Peaks: Nothing is Impossible”

Ryusuke Hamaguchi on Delivering the Definitive Double Feature of 2021 with “Wheel of Fortune and Fantasy” and “Drive My Car”

Ryoo Seung-wan on Making a Thrilling “Escape from Mogadishu”

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

DOC NYC 2021 Review: Putting Together a Career in the Art World Takes Considerable Creativity in “The Art of Making It”

Anson Williams

Flashback – The Star of Texas: How Austin Became a Filmmaking Capital

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies