February 23, 2026 Berlinale 2026 Review: Alisa Kovalenko & Marysia Nikitiuk’s “Traces” Leaves a Strong Impression of an Underexamined Aspect of War
February 22, 2026 Slamdance 2026 Review: A Community Tries to Stay on Track in the Wake of a Train Derailment in Ori Segev and Noah Dixon’s Striking Portrait “The Bulldogs”
February 23, 2026 Berlinale 2026 Review: Alisa Kovalenko & Marysia Nikitiuk’s “Traces” Leaves a Strong Impression of an Underexamined Aspect of War
February 22, 2026 Slamdance 2026 Review: A Community Tries to Stay on Track in the Wake of a Train Derailment in Ori Segev and Noah Dixon’s Striking Portrait “The Bulldogs”
June 19, 2025 Tribeca 2025 Review: Paul Andrew Williams’ “Dragonfly” Vividly Imagines Being Put in the Hands of a Reckless Caretaker
March 17, 2022 SXSW 2022 Review: Squandering a Lottery Ticket Leads to Good Fortune in the Winning Drama “To Leslie”
March 19, 2021 SXSW 2021: Stacey Gregg on Finding an Original Way Into a Psychological Thriller With “Here Before”
January 25, 2018 Sundance ’18 Review: Director Christina Choe Shows She’s the Real Deal with the Bewitching Imposter Tale “Nancy”