Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
The Daily Texan·5 min readFlashback – Wrestling with Perception: How Documentaries Found a Home in Austin
The Daily Texan·9 min readFlashback – The Not-So-Secret Society: How the Austin Film Society Came of Age
The Daily Texan·8 min readFlashback – The Sky’s the Limit: Carrying on the Tradition of Great Texas Storytelling Through Film
The Daily Texan·9 min readFlashback – Interview: Peter Berg on “The Rundown,” His Abandoned “Truck 44,” and Embarking on “Friday Night Lights”
TelevisionThe Daily Texan·4 min readFlashback – Interview: Rob Thomas on the Genesis of “Veronica Mars”
The Daily Texan·6 min readFlashback – Interview: Elmer Bernstein Looks Back and Forward with “Far From Heaven”
InterviewsThe Daily Texan·4 min readFlashback – Interview: Joe Berlinger & Bruce Sinofsky on “Metallica: Some Kind of Monster”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”