Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·9 min readInterview: Jordan Galland and Louisa Krause on Digging Into “Ava’s Possessions”
InterviewsSXSW·12 min readSXSW ’15 Interview: Eugene Kotlyarenko on Going Where No One Dares with “A Wonderful Cloud”
ReviewsSXSW·3 min readSXSW ’15 Review: Killer Horror Comedy “The Final Girls” Starts Something Special
ReviewsSXSWUncategorized·3 min readSXSW ’15 Review: With “Uncle Kent 2,” A Sequel That’s Something Else
InterviewsSXSW·11 min readInterview: Gillian Horvat on Getting Down and Dirty with “Kiss Kiss Fingerbang”
InterviewsSXSW·7 min readSXSW ’14 Interview: Chell Stephen on Polishing a Diamond in the Rough Into “Crystal”
InterviewsSXSW·6 min readSXSW ’14 Interview: Doris Dörrie on the Sweet Sound of Female Mariachis in “Que Caramba Es La Vida”
InterviewsSXSW·16 min readSXSW ’14 Interview: John Jeffcoat, David Drury and Sean Lowry on Making It “Big in Japan”
AFI FestReviewsSXSW·3 min readReview: Jemaine Clement and Taika Waititi Draw Blood in the Vampire Mock Doc “What We Do in the Shadows”
InterviewsSXSW·10 min readSXSW ’14 Interview: Angus Sampson and Leigh Whannell on Leaving Their Mark on “The Mule”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”