Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readInterview: Composer Will Bates on Becoming Instrumental to “The Inventor” and “The Sound of Silence”
Interviews·10 min readInterview: Jia Zhangke on the Intersection of an Evolving Career and an Evolving Country in “Ash is the Purest White”
InterviewsSXSW·11 min readSXSW ’19 Interview: Kestrin Pantera, Sam Littlefield and Breeda Wool on Building a Family in “Mother’s Little Helpers”
InterviewsSXSW·7 min readSXSW ’19 Interview: Paul Solet on Getting a Handle on the Gripping True Story “Tread”
InterviewsSXSW·7 min readSXSW ’19 Interview: Rebecca Stern on Not Splitting Hairs with the Delightful Dog Beauty Doc “Well-Groomed”
InterviewsSXSW·12 min readSXSW ’19 Interview: Emily Ting & Lynn Chen on Making a Most Welcome Return with “Go Back to China”
Interviews·8 min readInterview: Benedikt Erlingsson & Halldóra Geirharðsdóttir On Their Disarming Comedy “Woman at War”
Interviews·11 min readInterview: Suzannah Herbert and Lauren Belfer on Getting a Hold of a Bigger Cultural Picture with “Wrestle”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”