Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·7 min readInterview: David and Nathan Zellner on Keeping Track of “Kumiko, the Treasure Hunter”
InterviewsSXSW·13 min readSXSW ’15 Interview: David T. Friendly & Mick Partridge Get Their Kicks in “Sneakerheadz”
InterviewsSXSW·5 min readSXSW ’15 Interview: Patrick Kennelly & Mary Loveless Give Weight to “Excess Flesh”
InterviewsSXSW·8 min readSXSW ’15 Interview: Justin Lerner and Joseph Cross on the Complications of Love in “The Automatic Hate”
InterviewsSXSW·7 min readSXSW ’15 Interview: Katharine Emmer on Looking for the Bright Side in “Life in Color”
InterviewsSXSW·9 min readInterview: Jordan Galland and Louisa Krause on Digging Into “Ava’s Possessions”
InterviewsSXSW·12 min readSXSW ’15 Interview: Eugene Kotlyarenko on Going Where No One Dares with “A Wonderful Cloud”
InterviewsSXSW·11 min readInterview: Gillian Horvat on Getting Down and Dirty with “Kiss Kiss Fingerbang”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”