Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readInterview: Carla Simón on Revisiting Her Childhood with Fresh Eyes in “Summer 1993”
Interviews·12 min readInterview: Composer Ariel Marx on Finding the Right Musical Language to Tell “The Tale”
Interviews·9 min readInterview: Haifaa Al-Mansour & Douglas Booth on Turning a Page with “Mary Shelley”
Interviews·9 min readInterview: Ben Howling, Yolanda Ramke and Kristina Ceyton on Giving a Zombie Outbreak Dramatic Heft in “Cargo”
InterviewsTribeca Film Festival·10 min readTribeca ’18 Interview: Ondi Timoner on Capturing the Bigger Picture with “Mapplethorpe”
InterviewsTribeca Film Festival·8 min readInterview: Esther Garrel & Nathan Silver on Getting at Something Real in “The Great Pretender”
InterviewsTribeca Film Festival·8 min readTribeca ’18 Interview: Vanessa Roth on Refreshing History in “The Girl and the Picture”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”